The Internet is a very good at propagating hoaxes and transforming them into so-called facts (let’s not go into tweets and “fake-news”). The APS-C and the equivalency factor is just one of these hoax floating around the Internet.

Some people claim that a 23mm f/2 lens on a APS-C camera is in fact a 34.5mm with an f/stop of 3.2.

So at great expense and a lot of time, I brought in the debunking unit!


The definition of an f/stop is:

The f-number of an optical system such as a camera lens is the ratio of the system’s focal length to the diameter of the entrance pupil.

Smith, Warren Modern Optical Engineering, 4th Ed. 2007 McGraw-Hill Professional

Nowhere does it mention the type or size of the camera.

For a Fujifilm XF 23mm f/2:

  • The focal length is: 23mm
  • The diameter of the entrance pupil is: 11.5mm

    23/11.5 = 2 :: the f/stop

For a Canon 24mm f/2.8:

  • The focal length is: 24mm
  • The diameter of the entrance pupil is: 8.5mm

    24/8.5 = 2.8 :: the f/stop

Nowhere, on the Canon box or on the Nikon box containing the lens, does it state that the aperture is dependent on the format of the camera. If this was true and since they do not put as an ‘*’, they would have been sued in an attempt to deceive the customers…

Myth #1

The lens gathers light

The lens is not a vacuum cleaner, it doesn’t suck photons and push them to the sensor.

The lens transmits the light within its field of view from the outside toward the sensor. Notice the word toward and not “onto the sensor”.

Myth #2

The light hits the sensor

The claim is that since the sensor is smaller in an APS-C camera than in a full frame camera, a portion of the light is lost (where did the rest of the light go? It must be spilling somewhere…).

In fact, the light doesn’t hit the sensor. The CMOS sensor is made of millions of electronic sensors that record the light. On top of each of these electronic sensors, there is a photosite. A photosite is a small microlens that sits on top of the electronic sensor. It’s a 1 for 1.

The light transmitted by the lens hits the photosite/microlens and activates the electronic sensor underneath.

Each photosite is illuminated by the same amount of light whether it’s a very small sensor or an APS-C or a full-frame or even bigger like the medium formats.


Sekonic is a Japanese company that makes optical and electronic measurement instruments. It’s one of the very few companies left that makes light meters. Their light meters range from reasonable prices to very expensive.

I use the Sekonic L-308S which measures incident light (one of those that is reasonably priced and bought on sale). It gives me a reading of the light “hitting” the subject. I use this reading to set the exposure on my cameras. It’s the same exposure for both my APS-C and for an old film Rolleiflex with Ilford FP4 (120 roll film: 12 exposures) which is 4.5 times larger than the APS-C camera. My light meter doesn’t care about which camera I use, and it doesn’t care about which lens I use. It only cares about the aperture of the lens, the ISO (the sensitivity) of the film/sensor and the shutter speed of the camera.

Taking a photo on both cameras with the same exposure results in the same brightness of the image.


If the equivalency was true, why wouldn’t Sekonic document it or even better, place a setting for it on their light meters?


Multiple formats have always existed, at least since 1910. From Kodak Disc, Kodak 110, Kodak 126, 35mm, 6x4.5 (cm), 6x6 (cm), 6x7 (cm), 6x9 (cm), 4x5 (inch), 5x7 (inch), 8X10 (inch), 11x14 (inch), Polaroid Instant 16x24 (inch). and I’m sure that there other sizes…

The first light meter was a selenium light meter invented by Charles Fritts in 1884.

There was no equivalency factor. The shenanigans of the equivalency started in 2003 on a few forums. So what happened between 1884 and 2003 with light metering? 120 years of wrong exposures?